Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli Portrait of a Youth with a Medal oil painting


Portrait of a Youth with a Medal
c 1475 Florence,Galleria degli Uffizi (mk57)
Painting ID::  26848
Sandro Botticelli
Portrait of a Youth with a Medal
c 1475 Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli Adoration of the Magi oil painting


Adoration of the Magi
1475-1476 detail of youth in a red tunic,standing on the left (Giuliano de' Medici?)Florence,Galleria degli Uffizi (mk57)
Painting ID::  26849
Sandro Botticelli
Adoration of the Magi
1475-1476 detail of youth in a red tunic,standing on the left (Giuliano de' Medici?)Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli Giorgio vasari,Portrait of Lorenzo the Magnificent oil painting


Giorgio vasari,Portrait of Lorenzo the Magnificent
1534 Florence,Galleria degli Uffizi. (mk57)
Painting ID::  26857
Sandro Botticelli
Giorgio vasari,Portrait of Lorenzo the Magnificent
1534 Florence,Galleria degli Uffizi. (mk57)
   
   
     

Sandro Botticelli Portrait of Giuliano de'Medici oil painting


Portrait of Giuliano de'Medici
c 1478 Washington National Gallery of Art
Painting ID::  26862
Sandro Botticelli
Portrait of Giuliano de'Medici
c 1478 Washington National Gallery of Art
   
   
     

Sandro Botticelli Personage wearing a green mantle third in the group on the left oil painting


Personage wearing a green mantle third in the group on the left
Pico della Mirandola? (mk57)
Painting ID::  26869
Sandro Botticelli
Personage wearing a green mantle third in the group on the left
Pico della Mirandola? (mk57)
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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